M-2500-32 TOUR PACKAGE
[PRICED PER UNIT - 1 AVAILABLE AT TIME OF LISTING]
Listing last update on July 12, 2006 - Viewed 235 times

DESCRIPTION: YAMAHA M2500-32 (2001) (S#: PZ01012) AVERAGE FOR AGE (6-7)

FEATURES: WHEN DISCERNING SOUND-REINFORCEMENT PROFESSIONALS THINK, "CONSOLE" THEY ALSO THINK "YAMAHA." AND WITH GOOD REASON. YAMAHA SOUND-REINFORCEMENT CONSOLES HAVE, FOR MANY YEARS BEEN STANDARDS BY WHICH OTHERS ARE JUDGED. YAMAHA'S NEW M2500 CONSOLES UP THE ANTE ONCE MORE, DEFINING NEW LEVELS OF PERFORMANCE, CONTROL, VERSATILITY, AND RELIABILITY FOR AN INDUSTRY THAT NEVER STANDS STILL. INNOVATIVE FEATURES SUCH AS THE GROUP/AUX FLIP FUNCTION AND LCR PANNING OFFER UNPRECEDENTED CONTROL, WHILE NO-COMPROMISE CIRCUIT DESIGN, LAYOUT, AND COMPONENT SELECTION FROM THE CRITICAL HEAD AMPLIFIERS RIGHT THROUGH TO THE OUTPUT CONNECTORS ENSURE THAT YOU GET AN IN-DEMAND FEATURES HAVE ALL BEEN IMPLEMENTED AS WELL: 4-BAND EQ WITH TWO SWEEPABLE MID-BANDS ON ALL MONO INPUTS, A MATRIX SUBMIX OF THE GROUP AUXILIARY, STEREO AND MONO/CENTER BUSSES AS WELL AS THE SUB INPUTS, 128-SCENE MEMORY, 100 MILLIMETER FADERS, AND MORE.

THE CONSOLE FEATURES 8 GROUPS, 14 AUX BUSES, A STEREO BUS, AND A MONO/CENTER BUS. M2500'S MONO BUS FUNCTIONS AS THE CENTER-CHANNEL SEND WHEN THE LCR PAN MODE IS ENGAGED. MASTER AUX SENDS 1 THROUGH 6 FEATURE FULL-LENGTH 100MM FADERS WITH ON AND AFL SWITCHES WHICH DIRECTLY FEED THE CORRESPONDING AUX OUTPUTS. MASTER AUX SENDS 7 THROUGH 14 ROTARY CONTROLS FEED THE CORRESPONDING AUX OUTPUTS, AND THESE CAN BE FLIPPED TO APPEAR AT THE 100MM FADERS AND RELATED CONTROLS NORMALLY ASSIGNED TO THE 8 GROUP BUSES. THE 8 GROUP BUSES ARE ROUTED TO THE ROTARY CONTROLS COMPLETING THE "FLIP". OTHER GROUP BUS MASTER CONTROLS INCLUDE ON/EDIT SWITCHES AND INDICATORS, AFL SWITCHES, PAN CONTROLS, MATRIX ASSIGN, STEREO ASSIGN, MONO ASSIGN, AND LCR PAN MODE SWITCHES. THE M2500 ALLOWS THE USER TO CONFIGURE THE CONSOLE TO MEET GROUP/AUXILIARY REQUIREMENTS WHILE RETAINING FULL USE OF ALL 25 OUTPUT BUSES.

WHEN THE LCR SWITCHES ARE NOT ENGAGED, THE MONO INPUT CHANNEL PAN CONTROLS FUNCTION BY PANNING THE SIGNAL FROM LEFT TO RIGHT ON THE STEREO BUS. WHEN A CHANNEL'S LCR SWITCH IS ENGAGED, HOWEVER, THE CENTER PAN POT POSITION DIRECTLY FEEDS THE CHANNEL SIGNAL TO THE MONO/C BUSS, WHICH CAN FEED A CENTER AMPLIFIER OR SPEAKER SYSTEM. THE ADVANTAGE IS THE ABILITY FOR CENTER SIGNALS TO BE HEARD PRECISELY IN MID-SOUND FIELD, REGARDLESS OF LISTENING POSITION, WHICH IS IDEAL FOR SITUATIONS SUCH AS VOCALS, SPEECH, ETC.

THE MONO INPUT CHANNELS FEATURE BALANCED XLR-TYPE MICROPHONE/LINE INPUTS WHICH ALLOWS PHANTOM POWER TO BE INDEPENDENTLY SWITCHED FOR ALL MONO INPUTS, PROVIDING DIRECT COMPATIBILITY WITH HIGH-PERFORMANCE PHANTOM-POWERED CONDENSER MICROPHONES AND DI BOXES.

THE M2500 PROVIDES DIRECT CONNECTION CAPABILITY OF STEREO LINE SOURCES TO ANY OF 4 STEREO INPUTS TO A TOTAL OF EIGHT. SWITCHABLE A OR B INPUTS INCLUDE BALANCED XLR CONNECTORS, AND THE B INPUTS ARE STANDARD RCA PIN JACKS. STEREO CHANNELS 2 THROUGH 4 HAVE BALANCED/UNBALANCED TRS INPUTS. INSERT SEND/RETURN PATCH POINTS ARE INCLUDED ON ALL MONO CHANNELS FOR CONVENIENT INSERTION OF COMPRESSOR/LIMITERS, EQUALIZERS, OR ANY OTHER OUTBOARD EQUIPMENT.

THE M2500 SUPPLIES GAIN TRIM CONTROL WITH 44-DB RANGE AVAILABILITY ON ALL MONO INPUTS, INDEPENDENT 40-DB GAIN CONTROLS FOR A AND B INPUTS ON STEREO CHANNEL 1, AND 30-DB GAIN CONTROLS ON STEREO CHANNELS 2 THROUGH 4-ENABLING MAXIMUM LEVEL MATCHING WITH A WIDE RANGE OF SOURCES.

THE M2500 OFFERS MIDI SCENE MEMORY AND CONTROL. UP TO 128 MUTE "SCENES" CAN BE STORED IN MEMORY AND RECALLED EITHER FROM PANEL CONTROLS OR AN EXTERNAL MIDI DEVICE. EIGHT DIRECT RECALL SWITCHES FOR THOSE SCENES MOST OFTEN USED CAN BE INSTANTLY RECALLED. OTHERS CAN BE RECALLED VIA THE NUMERIC KEYS, AS THE MEMORY CONTENTS CAN BE CHECKED AND EDITED AT ANY TIME WITHOUT AFFECTING THE MIX.

A FLEXIBLE 4-BAND SWEEPABLE EQ WITH 2 SWEEPABLE, OVERLAPPING MID BANDS IS PROVIDED ON ALL MONO CHANNELS. THE STEREO CHANNELS OFFER 2-BAND SHELVING EQ. BYPASS SWITCHES ARE PROVIDED ON ALL CHANNELS FOR EQ PUNCH IN OR OUT WITHOUT HAVING TO CHANGE SETTINGS.

THREE-POINT LEVEL INDICATORS ARE AVAILABLE ON ALL MONO AND STEREO CHANNELS TO CREATE ACCURATE MONITORING OF PRE-FADER SIGNAL LEVELS. SIGNAL, NOM AND PEAK LEDS PROVIDE A BROAD VIEW OF CHANNEL SIGNAL LEVELS. THE CONSOLE'S SMOOTH 100MM LINEAR FADERS MAKE IT EASY TO SET UP OPTIMUM BALANCE BETWEEN CHANNELS AS THE PFL (PRE-FADER LISTEN) SWITCHES ALLOW CONVENIENT SOLO MONITORING OF THE CHANNEL'S PRE-FADER SIGNAL. AN ADDITIONAL FEATURE TO ALL CHANNELS IS THE ON/EDIT SWITCHES AND INDICATORS THAT ALLOW EDITING OF MUTE SCENES, FOR EXAMPLE, WITHOUT CHANGING ANY OTHER SETTINGS.

THE M2500 CONSOLE IS POWERED WITH ONE HIGH-CAPACITY, HIGH-PERFORMANCE PW3000MA POWER SUPPLY UNIT WITH FULL POWER MONITORING.


EXTRAS: (1)CONSOLE WITH CASE (WITH DOG HOUSE) (1) PW3000 POWER SUPPLY W/ CASE AND CABLE OPERATIONS MANUAL

MODIFICATIONS: ORGINAL CONNDITON, SOLD AS IS, FULLY FUNCTIONAL EXCEPT CH 19 NOISE ISSUE, SIMPLE FIX.

HISTORY: USED AND MAINTAINED BY FULL SERVICE AUDIO VISUAL STAGING COMPANY.

COMMENTS: CH. 19 NOISY

FOB DALLAS TEXAS.
IF YOU ARE TIME FLEXIBLE I CAN SHIP FREE OF CHARGE TO OUR OFFICE IN ANAHEIM, LAS VEGAS, CHICIAGO, DC, ORLANDO, HOUSTON OR SAN ANTONIO


THIS UNIT WAS NEVER TOURED